名画欣赏解读：  

　Design [ di'zain ] 
　 n. 设计,图样
　 v. 设计,计划
　1. He designed us a beautiful house.
   他为我们设计了一所很美的房子。
　2. This dress is of the latest design.
   这件衣服是最新设计。

　Writing [ 'raitiŋ ] 
　 n. 著述,笔迹,作品
　 vbl. 写,著述
　1. I can't read the doctor's writing.
   我看不明白那位医生的笔迹。
　2. Have you read his writings?
   你读过他的作品吗？

　Desk [ desk ] 
　 n. 书桌
　1. There is a desk in the boy's room.
   小男孩的房间里有张写字台。
　2. You may leave your key at the reception desk.
   你可以把钥匙留在服务台。

　Shown [ ʃəʊn ] 
　 show的过去分词
　1. In his youth, he had shown great promise.
   他在青少年时代就显得很有出息。
　2. The girls screamed when the grisly remains of the half-eaten corpses on the screen were shown.
   当屏幕上显示出尸体被吃掉一半的恐怖残骸时，女孩子们尖叫起来。

　Front [ frʌnt ] 
　 n. 前面,开头,前线
　 v. 面对,朝向,对付
　1. The front of the postcard shows a picture of our hotel.
   明信片正面是我们旅馆的图片。
　2. Write your name on the front cover of the exercise book.
   在练习簿的封面上写上你的名字。

　Side [ said ] 
　 n. 旁边,侧,方面
　 a. 旁的,侧的
　 v. 偏袒
　1. A square has four sides but a circle has no sides.
   正方形有四条边，而圆形没有边。
　2. The thief slipped away down a side street.
   小偷悄悄从一条小马路溜走了。

　Elevation [ ˌeli'veiʃən ] 
　 n. 海拔,提高
　 [计算机] 标高
　1. The house is at an elevation of 1000 meters.
   这所房子在海拔1000米处。
　2. We climbed to the top of the small elevation, from which we could look at the town.
   我们爬上小丘的顶端，由此可以俯瞰城市。

　Ingram [ 'iŋgrəm ] 
　 n. 英格拉姆(m.)
　1. Jane, miserable, assumes he intends to marry Blanche Ingram.
   简心里难受，以为他要娶布兰奇·英格兰姆。

　Street [ stri:t ] 
　 n. 街道
　1. They crossed the street and went into the shop.
   他们穿过街道，进了商店。
　2. Our street puts on a carnival every year.
   我们这条街的居民每年举行一次狂欢会.

　Room [ ru:m, rum ] 
　 n. 房间
　1. I want a double room with a view.
   我要一间能看到风景的双人房间。
　2. There is not so much room for these books.
   没有这么大的地方来放这些书。

1. 米罗的艺术代表了超现实主义的另一种风格，即有机的超现实主义。他的作品是令人愉快的,其画面洋溢着自由天真的气息，往往人见人爱。
2. 绘画有两种：一种为物质的交换，一为精神的追求。
3. 埃及人的原则：从最具有特性的角度去表现。如用这种想法表现人体，头部在侧面图中最容易看清楚，他们就从侧面画。

1. 画挂在以坐姿为主的室内，则不宜太高。如果画挂在以立姿为主的空间，则可以挂在较高的位置，当画位于沙发上方时，则不可太低。
2. 厨房内灯光要足够，而照出来的灯光以白色为佳，否则影响颜色判断，以致食物是否做熟也辨不出来。同时要避免灯光产生阴影，所以射灯不适宜使用。
3. 铜水管被认为是一种“具有绿色面孔的红色金属”，它既没有金属材料的易锈蚀，也没有非金属材料的易污染元素，其焊接工艺安全、可靠、无毒。用铜做供水材料，可称得上是绿色环保材料。

1. Designs for Writing Desks Shown in Front and Side Elevation, 1909, for the Ingram Street Tea Rooms

     by Charles Rennie Mackintosh  121.9 x 91.4 cm

2. Designs for Writing Desks Shown in Front and Side Elevation, 1909, for the Ingram Street Tea Rooms

     by Charles Rennie Mackintosh  142.2 x 106.7 cm

3. Designs for Writing Desks Shown in Front and Side Elevation, 1909, for the Ingram Street Tea Rooms

     by Charles Rennie Mackintosh  81.3 x 61.0 cm

4. Designs for Writing Desks Shown in Front and Side Elevation, 1909, for the Ingram Street Tea Rooms

     by Charles Rennie Mackintosh  101.6 x 76.2 cm

5. Designs for Writing Desks Shown in Front and Side Elevation, 1909, for the Ingram Street Tea Rooms

     by Charles Rennie Mackintosh  61.0 x 45.7 cm

6. Designs for Writing Desks Shown in Front and Side Elevation, 1909, for the Ingram Street Tea Rooms

     by Charles Rennie Mackintosh  40.6 x 30.5 cm

7. Electroplated Table Service, circa 1906

     by Charles Rennie Mackintosh  142.2 x 106.7 cm

8. Orvieto Cathedral, a Sheet of Studies of Mosaic Bands, 1891

     by Charles Rennie Mackintosh  81.3 x 61.0 cm

9. Detail from a Highly Important Ebonized Mahogany Writing Cabinet, 1904

     by Charles Rennie Mackintosh  142.2 x 106.7 cm

10. Detail from a Highly Important Ebonized Mahogany Writing Cabinet, 1904

      by Charles Rennie Mackintosh  40.6 x 30.5 cm

11. Designs for an Upholstered Chair and a Spindle Chair Shown in Elevation and Plans, 1909

      by Charles Rennie Mackintosh  101.6 x 76.2 cm

12. Conversazione Programme, Designed for the Glasgow Architectural Association, 1894

      by Charles Rennie Mackintosh  61.0 x 45.7 cm