爱的力量大到可以使人忘记一切,却又小到连一粒嫉妒的沙石也不能容纳
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》No.149312
标准产品:
名称: The Resurrection, Central Panel from the Triptych of the Resurrection, circa 1485-90
: 多版本代表作
类型: 教学收藏级 ?
已售: 1 幅
规格: 》45.7 x 61.0 cm
备货: 常规定购
装裱: 》画框配置
名画欣赏解读:
艺术专业英语速成 :
Resurrection [ ˌrezə'rekʃən ]
n. 复活,复兴,恢复
1. He had a resurrection of hope.
他的希望复苏了。
2. His resurrection frightened us.
他的复活吓坏了我们。
Central [ sen'trɑ:l ]
a. 中心的,中央的
1. Such values are central to our way of life.
这些价值对于我们的生活方式是至关重要的。
2. My house is very central.
我的家非常靠近市中心。
Panel [ 'pænl ]
n. 面板,嵌板,仪表盘,座谈小组
v. 嵌镶
专门问题小组
1. This ceiling has a carved panel.
这块天花板带有刻花镶板。
2. The panel was chosen to take part in discussion.
那个专门小组被选中参加讨论。
from [ frɔm, frəm, frm ]
prep. 从,从...起
1. The sky slowly changed from blue to red.
天空慢慢由蓝色变为红色。
2. The train starts from Beijing.
这辆火车从北京开出。
Triptych [ 'triptik ]
n. 三张相联,三幅一联
Resurrection [ ˌrezə'rekʃən ]
n. 复活,复兴,恢复
1. He had a resurrection of hope.
他的希望复苏了。
2. His resurrection frightened us.
他的复活吓坏了我们。
circa [ 'sə:kə ]
ad. 大约
prep. 大约
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欣赏 汉斯 更多的作品 |
艺术漫谈 1 2 3 :
- 康定斯基对纯粹颜色的力量有了自己的概念,他强调纯色的心理效果,强调鲜红颜色怎样像号声一样使我们动心。
- 黑白装饰画中往往不直接运用灰色,而是用交叠穿插的块画和线条形成了视觉上的灰色区域。
- 后印象派为现代油画的发展起到了奠基的作用。文森特·梵高也是后印象派的代表人物之一。
装饰装修 1 2 3 :
- 客厅是家居主要活动场所,客厅配画要求稳重、大气。古典装修的以历史事件为主题的风景、人物、花卉为主。现代简约装修可以选择现代题材适合于整个装修色彩的风景,人物,花卉或视觉突出的抽象画。
- 选折装饰画是个人情感的体现,强调个性,忌讳跟风。采用大家都买的、最热销的装饰画来搭配自己的空间是最没有特色、最没有档次的装饰风格
- 色彩基调一致、画面内容接近、装裱样式规格相同的系列画是客厅内的首选。这样整个客厅既显得富于变化又不至于杂乱无章。
Product Indexs
The Resurrection, Central Panel from the Triptych of the Resurrection, circa 1485-90
by Hans Memling 45.7 x 61.0 cmThe Resurrection of Lazarus, circa 1619
by Guercino (Giovanni Francesco Barbieri) 61.0 x 45.7 cmThe Resurrection of Christ, from the Isenheim Altarpiece circa 1512-16
by Matthias Gr眉newald 91.4 x 121.9 cmThe Resurrection
by Francesco Trevisani 45.7 x 61.0 cmThe Resurrection of Christ
by Bartolome Esteban Murillo 76.2 x 101.6 cmThe Resurrection of Christ, from the Isenheim Altarpiece circa 1512-16
by Matthias Gr眉newald 45.7 x 61.0 cmThe Resurrection, Right Hand Predella Panel from the Altarpiece of St. Zeno of Verona, 1456-60
by Andrea Mantegna 45.7 x 61.0 cmThe Resurrection of Christ, from the Convent of San Pietro, Perugia, 1496-98
by Pietro Perugino 61.0 x 45.7 cmThe Resurrection, circa 1463
by Piero della Francesca 76.2 x 101.6 cmThe Resurrection of Dali
by R茅mi Schweizer 99.1 x 71.1 cmThe Resurrection of Christ
by Bartolome Esteban Murillo 45.7 x 61.0 cmThe Resurrection, circa 1463
by Piero della Francesca 61.0 x 81.3 cmThe Resurrection, circa 1463
by Piero della Francesca 106.7 x 142.2 cmThe Resurrection: the Angels Rolling Away the Stone from the Sepulchre
by William Blake 61.0 x 81.3 cmThe Resurrection of Christ, from the Isenheim Altarpiece circa 1512-16
by Matthias Gr眉newald 76.2 x 101.6 cmThe Resurrection of Christ
by Bartolome Esteban Murillo 61.0 x 81.3 cmThe Resurrection of Christ
by Bartolome Esteban Murillo 91.4 x 121.9 cmThe Resurrection of Christ, circa 1536-38
by Michelangelo Buonarroti 61.0 x 45.7 cmThe Resurrection of Christ, from the Isenheim Altarpiece circa 1512-16
by Matthias Gr眉newald 61.0 x 81.3 cmReception of the Righteous into Heaven, Left Panel of Last Judgment Triptych, 1467-71
by Hans Memling 61.0 x 81.3 cmWeighing of the Souls, Triptych of the Last Judgment
by Hans Memling 81.3 x 61.0 cmMystic Marriage of St. Catherine and Other Saints
by Hans Memling 61.0 x 81.3 cmAngel Holding an Olive Branch
by Hans Memling 61.0 x 81.3 cmPortrait of a Man with a Coin, circa 1480
by Hans Memling 45.7 x 61.0 cmVirgin and Child, Reverse of the Reliquary of St. Ursula, 1489
by Hans Memling 76.2 x 101.6 cm





















