高级灰是办公区域常用的色系,所以采用色彩对比强烈的抽象画就非常合适
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》No.149270
标准产品:
名称: The Resurrection of Christ, from the Right Wing of the Isenheim Altarpiece, circa 1512-16
: 多版本代表作
类型: 教学收藏级 ?
已售: 4 幅
规格: 》45.7 x 61.0 cm
备货: 常规定购
装裱: 》画框配置
名画欣赏解读:
艺术专业英语速成 :
Resurrection [ ˌrezə'rekʃən ]
n. 复活,复兴,恢复
1. He had a resurrection of hope.
他的希望复苏了。
2. His resurrection frightened us.
他的复活吓坏了我们。
Christ [ kraist ]
int. 天啊!
n. 基督
1. To Christians, Jesus Christ is the Savior.
对基督徒来说,主耶稣是他们的救世主。
2. Apostles were sent out by Christ to spread his teachings.
基督派基督十二使徒之一宣传他的教义。
from [ frɔm, frəm, frm ]
prep. 从,从...起
1. The sky slowly changed from blue to red.
天空慢慢由蓝色变为红色。
2. The train starts from Beijing.
这辆火车从北京开出。
Right [ rait ]
a. 对的,正确的
ad. 对
int. 好
n. 权利,右
vt. 纠正
adv.恰恰,正好
1. I have the right to ask for an explanation.
我有权要求一个解释。
2. Are we going in the right direction?
我们走的方向对吗?
Wing [ wiŋ ]
n. 翅膀,翼
1. The bird's left wing was hurt.
这只鸟的左翼受伤了。
2. The nearside wing was damaged in the collision.
汽车碰撞时左侧的翼子板撞坏了。
Altarpiece [ ]
n. 祭坛背后的装饰品
circa [ 'sə:kə ]
ad. 大约
prep. 大约
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欣赏 Matthias Gr眉newald 更多的作品 |
艺术漫谈 1 2 3 :
- 后印象派为现代油画的发展起到了奠基的作用。文森特·梵高也是后印象派的代表人物之一。
- 美是艺术的目的和推动力。——冈察洛夫
- 康定斯基将色彩与音乐等同起来,让人们能够“聆听”绘画,“描绘”音乐。
装饰装修 1 2 3 :
- 办公室的绿化是不能忽视的。外部环境应绿树成荫,芳草铺地,花木繁茂。它不仅能点缀美化环境,而且是调节周围小气候的有效方式。
- 明亮的色彩不但有更好的反光效果,增加空间亮度,还可以提升视觉上的清凉度
- 装饰画的题材内容选取上,除了协调性、艺术性外,还要偏向具有浓厚历史文化背景的主题,以达到“境”的提升
Product Indexs
The Resurrection of Christ, from the Right Wing of the Isenheim Altarpiece, circa 1512-16
by Matthias Gr眉newald 45.7 x 61.0 cmThe Resurrection of Christ
by Bartolome Esteban Murillo 106.7 x 142.2 cmThe Resurrection of Christ
by Bartolome Esteban Murillo 91.4 x 121.9 cmThe Resurrection of Christ, from the Isenheim Altarpiece circa 1512-16
by Matthias Gr眉newald 30.5 x 40.6 cmThe Resurrection of Christ, from the Right Wing of the Isenheim Altarpiece, circa 1512-16
by Matthias Gr眉newald 76.2 x 101.6 cmThe Resurrection of Christ
by Bartolome Esteban Murillo 30.5 x 40.6 cmThe Resurrection of Christ, Florentine School, 1560
by Anonymous 61.0 x 45.7 cmThe Resurrection of Christ
by Titian 45.7 x 61.0 cmThe Resurrection of Christ, circa 1536-38
by Michelangelo Buonarroti 61.0 x 45.7 cmThe Resurrection of Christ
by Bartolome Esteban Murillo 61.0 x 81.3 cmThe Resurrection of Christ
by Fra Bartolommeo 45.7 x 61.0 cmThe Resurrection of Christ, from the Isenheim Altarpiece circa 1512-16
by Matthias Gr眉newald 45.7 x 61.0 cmThe Resurrection of Christ
by Bartolome Esteban Murillo 45.7 x 61.0 cmThe Resurrection of Christ, from the Isenheim Altarpiece circa 1512-16
by Matthias Gr眉newald 76.2 x 101.6 cmThe Resurrection of Christ, from the Right Wing of the Isenheim Altarpiece, circa 1512-16
by Matthias Gr眉newald 30.5 x 40.6 cmThe Resurrection of Christ
by Rogier van der Weyden 45.7 x 61.0 cmThe Resurrection of Christ, from the Isenheim Altarpiece circa 1512-16
by Matthias Gr眉newald 61.0 x 81.3 cmThe Resurrection of Christ, from the Right Wing of the Isenheim Altarpiece, circa 1512-16
by Matthias Gr眉newald 61.0 x 81.3 cmThe Resurrection of Christ, from the Convent of San Pietro, Perugia, 1496-98
by Pietro Perugino 61.0 x 45.7 cmSt. John the Evangelist and the Virgin, Detail from the Crucifixion from the Isenheim Altarpiece
by Matthias Gr眉newald 76.2 x 101.6 cmTemptation of St. Anthony, from the Isenheim Altarpiece, circa 1512-16
by Matthias Gr眉newald 91.4 x 121.9 cmThe Dead Lovers
by Matthias Gr眉newald 45.7 x 61.0 cmThe Dead Lovers
by Matthias Gr眉newald 76.2 x 101.6 cmThe Nativity, from the Isenheim Altarpiece, circa 1512-16
by Matthias Gr眉newald 45.7 x 61.0 cmNativity and Concert of Angels from the Isenheim Altarpiece, Central Panel
by Matthias Gr眉newald 121.9 x 91.4 cm



















