名画欣赏解读：  

　Altar [ 'ɔ:ltə ] 
　 n. (教堂内的)圣坛,祭坛
　1. He led Mary to the altar yesterday.
   他昨天和玛丽结婚了。
　2. The high priest sacrificed the goat on the altar.
   大祭司把山羊献在祭坛上。

　Descent [ di'sent ] 
　 n. 降落,家系,侵袭
　1. There was a descent of temperature after rain.
   雨后气温下降了。
　2. The descent down the mountain took nearly two hours.
   下山差不多花了两个小时。

　from [ frɔm, frəm, frm ] 
　 prep. 从,从...起
　1. The sky slowly changed from blue to red.
   天空慢慢由蓝色变为红色。
　2. The train starts from Beijing.
   这辆火车从北京开出。

　Right [ rait ] 
　 a. 对的,正确的
　 ad. 对
　 int. 好
　 n. 权利,右
　 vt. 纠正
　 adv.恰恰,正好
　1. I have the right to ask for an explanation.
   我有权要求一个解释。
　2. Are we going in the right direction?
   我们走的方向对吗？

　Panel [ 'pænl ] 
　 n. 面板,嵌板,仪表盘,座谈小组
　 v. 嵌镶
　 专门问题小组
　1. This ceiling has a carved panel.
   这块天花板带有刻花镶板。
　2. The panel was chosen to take part in discussion.
   那个专门小组被选中参加讨论。

　Presentation [ ˌprezen'teiʃən ] 
　 n. 陈述,介绍,赠与
　 n. [美]讲课,报告
　1. They are preparing for the presentation of a new musical.
   他们正准备上演新的歌舞喜剧。
　2. We went to the premiere of their new presentation.
   我们去观看了他们的新剧目的首场演出。

　Temple [ 'templ ] 
　 n. 庙宇,寺院
　 n.太阳穴
　1. Have you been to the Temple of Heaven in Beijing?
   你去过北京的天坛吗？
　2. The man looks like a cartoon character with a plaster on his temple.
   那人太阳穴上贴了一块膏药，看上去像个卡通人物。

1. 油画从西方传入中国已有400余年的历史，据载最早的油画是由西方传教士带入中国，有的传教士还被聘为宫廷画师。明代万历年间西方传教士罗明坚、利玛窦来中国时就带来了油画材料绘制的天主和圣母像，这大概就是最早进入中国的油画了。
2. 后世评八大山人:“所写水墨画,脱尽窠臼,天姿超迈,故能空前绝后为开一代生面”。
3. 1880年梵高开始学画，后来他在布鲁塞尔、海牙和安特卫普进修。

1. 在同一面墙上如果需要挂3幅画，可采用平视一字形和逐渐升高的梯形排列。一字形看起来整体性强、简洁大方，梯形排列则显得错落有致、富有层次变化。
2. 靠墙衣柜，放到大卧室门里一边，高度从地做到顶部，一般分格噗三层：下层高400毫米，中层挂大衣为1800毫米，上层600毫米，共计2800毫米。
3. 电气工程安装之后，应进行电气通电，灯具试亮，开关控制等。工程竣工后，应向客户提供配线施工图，标明导线规格及走向。

1. Altar: Descent from Cross, Right Panel: Presentation in the Temple

     by Peter Paul Rubens  91.4 x 121.9 cm

2. Altar: Descent from Cross, Right Panel: Presentation in the Temple

     by Peter Paul Rubens  106.7 x 142.2 cm

3. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

     by Peter Paul Rubens  91.4 x 121.9 cm

4. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

     by Peter Paul Rubens  61.0 x 81.3 cm

5. Altar: Descent from Cross, Right Panel: Presentation in the Temple

     by Peter Paul Rubens  76.2 x 101.6 cm

6. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

     by Peter Paul Rubens  76.2 x 101.6 cm

7. Altar: Descent from Cross, Right Panel: Presentation in the Temple

     by Peter Paul Rubens  45.7 x 61.0 cm

8. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

     by Peter Paul Rubens  61.0 x 81.3 cm

9. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

     by Peter Paul Rubens  91.4 x 121.9 cm

10. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

      by Peter Paul Rubens  45.7 x 61.0 cm

11. Altar: Descent from Cross, Right Panel: Presentation in the Temple

      by Peter Paul Rubens  61.0 x 81.3 cm

12. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

      by Peter Paul Rubens  45.7 x 61.0 cm

13. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

      by Peter Paul Rubens  30.5 x 40.6 cm

14. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

      by Peter Paul Rubens  30.5 x 40.6 cm

15. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

      by Peter Paul Rubens  106.7 x 142.2 cm

16. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

      by Peter Paul Rubens  106.7 x 142.2 cm

17. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

      by Peter Paul Rubens  76.2 x 101.6 cm

18. Altar: Descent from Cross, Right Panel: Presentation in the Temple

      by Peter Paul Rubens  30.5 x 40.6 cm

19. Anatomical Study: a Nude Striding to the Right His Hands Behind His Back

      by Peter Paul Rubens  30.5 x 40.6 cm

20. Infant Christ with John the Baptist and Two Angels, 1615/20

      by Peter Paul Rubens  142.2 x 106.7 cm

21. Henry IV Leaves for the War in Germany, March 20, 1610

      by Peter Paul Rubens  61.0 x 81.3 cm

22. The Apotheosis of Henri IV and the Proclamation of the Regency of Marie de Medici, 1622-25

      by Peter Paul Rubens  61.0 x 45.7 cm

23. Lot and His Family Leaving Sodom, 1625

      by Peter Paul Rubens  81.3 x 61.0 cm

24. Portrait of Susanna Lunden circa 1622-25

      by Peter Paul Rubens  91.4 x 121.9 cm