名画欣赏解读：  

　Altar [ 'ɔ:ltə ] 
　 n. (教堂内的)圣坛,祭坛
　1. He led Mary to the altar yesterday.
   他昨天和玛丽结婚了。
　2. The high priest sacrificed the goat on the altar.
   大祭司把山羊献在祭坛上。

　Descent [ di'sent ] 
　 n. 降落,家系,侵袭
　1. There was a descent of temperature after rain.
   雨后气温下降了。
　2. The descent down the mountain took nearly two hours.
   下山差不多花了两个小时。

　from [ frɔm, frəm, frm ] 
　 prep. 从,从...起
　1. The sky slowly changed from blue to red.
   天空慢慢由蓝色变为红色。
　2. The train starts from Beijing.
   这辆火车从北京开出。

　Closed [ kləuzd ] 
　 a. 关着的
　 a.封闭的
　1. He has a closed mind.
   他思想闭塞僵化.
　2. That door is often keeping closed.
   那个门常常是关着的。

　Left [ left ] 
　 a. 左边的
　 ad. 向左
　 n. 左边
　 vt. 将...留在...
　1. His left arm was broken.
   他的左臂断了。
　2. Eyes left!
   向左看！

　Side [ said ] 
　 n. 旁边,侧,方面
　 a. 旁的,侧的
　 v. 偏袒
　1. A square has four sides but a circle has no sides.
   正方形有四条边，而圆形没有边。
　2. The thief slipped away down a side street.
   小偷悄悄从一条小马路溜走了。

　Saint [ seint, sənt ] 
　 n. 圣人,圣徒
　1. Joan of Arc was made a saint in 1920.
   1920年，贞德被追封为圣女。
　2. You need the patience of a saint for this job.
   做这种工作，你得有圣人般的好耐性。

　Christopher [ 'kristəfə ] 
　 n. 克里斯多佛
　1. The capital of St. Christopher-Nevis, on St. Christopher Island in the Leeward Islands of the West Indies. Population, 14,725.
   巴斯特尔圣克里斯多佛－尼维斯的首都，位于西印度群岛中背风群岛的圣克里斯托弗岛上。人口14，725
　2. An island of the central Bahamas in the West Indies. It is generally identified as the first landfall of Christopher Columbus(October12, 1492).
   圣萨尔瓦多，沃特灵斯岛西印度群岛中巴哈马的一个岛屿，普遍认为它就是克里斯多弗·哥伦布航海中见到的第一片陆地（1492年10月12日）

　Right [ rait ] 
　 a. 对的,正确的
　 ad. 对
　 int. 好
　 n. 权利,右
　 vt. 纠正
　 adv.恰恰,正好
　1. I have the right to ask for an explanation.
   我有权要求一个解释。
　2. Are we going in the right direction?
   我们走的方向对吗？

　Hermit [ 'hə:mit ] 
　 n. 隐士,隐居者
　1. A hermit used to live in the cave.
   一位隐士曾经住在那个山洞里。
　2. The condition or way of life of a hermit.
   隐士生活隐士状态或隐士生活方式

1. 绘画愈像雕刻,映在我眼里愈觉得它是出色的作品,雕刻愈像绘画,我就愈觉得它是拙劣的作品;雕刻是绘画的火把,它们就如太阳与月亮的光,有天壤之别。
2. 3000年前的春秋战国时代，壁画的创作已具相当的规模，并见诸文字的记载。
3. 第一次世界大战最残酷的日子，它是马蒂斯最黯淡的作品时期，也是最渴望严谨性，最接近立体主义的时期。

1. 在墙面刷涂料或贴墙纸的工作完成后，再进行灯具的安装及开关插座面板的安装工作
2. 室内通风与空气调节对工作人员提高工作效率是十分重要的。空气环境是以空气温度、湿度、清洁度和流动速度四个参数来衡量的，称之为空气的“四度”。
3. 最常用的物品应该放在高度70厘米到185厘米之间。这段区域被称为舒适存储区。

1. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

     by Peter Paul Rubens  45.7 x 61.0 cm

2. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

     by Peter Paul Rubens  76.2 x 101.6 cm

3. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

     by Peter Paul Rubens  91.4 x 121.9 cm

4. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

     by Peter Paul Rubens  106.7 x 142.2 cm

5. Altar: Descent from Cross, Right Panel: Presentation in the Temple

     by Peter Paul Rubens  30.5 x 40.6 cm

6. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

     by Peter Paul Rubens  30.5 x 40.6 cm

7. Altar: Descent from Cross, Right Panel: Presentation in the Temple

     by Peter Paul Rubens  45.7 x 61.0 cm

8. Altar: Descent from Cross, Right Panel: Presentation in the Temple

     by Peter Paul Rubens  91.4 x 121.9 cm

9. Altar: Descent from Cross, Right Panel: Presentation in the Temple

     by Peter Paul Rubens  76.2 x 101.6 cm

10. Altar: Descent from Cross, Right Panel: Presentation in the Temple

      by Peter Paul Rubens  61.0 x 81.3 cm

11. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

      by Peter Paul Rubens  106.7 x 142.2 cm

12. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

      by Peter Paul Rubens  61.0 x 81.3 cm

13. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

      by Peter Paul Rubens  76.2 x 101.6 cm

14. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

      by Peter Paul Rubens  45.7 x 61.0 cm

15. Altar: Descent from Cross, Right Panel: Presentation in the Temple

      by Peter Paul Rubens  106.7 x 142.2 cm

16. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

      by Peter Paul Rubens  91.4 x 121.9 cm

17. Altar: Descent from Cross, Closed, Left Side: Saint Christopher, Right: a Hermit

      by Peter Paul Rubens  30.5 x 40.6 cm

18. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

      by Peter Paul Rubens  61.0 x 81.3 cm

19. The Kidnapping of Ganymede

      by Peter Paul Rubens  91.4 x 121.9 cm

20. And Jan Brueghel: The Sight

      by Peter Paul Rubens  61.0 x 45.7 cm

21. The Head of Medusa, circa 1618

      by Peter Paul Rubens  101.6 x 76.2 cm

22. Helene Fourment, Second Wife of the Artist, in a Fur Coat (The Furlet), 1638

      by Peter Paul Rubens  106.7 x 142.2 cm

23. Altar: Descent from Cross, Left Panel: Visitation, the Virgin and Saint Elizabeth

      by Peter Paul Rubens  106.7 x 142.2 cm

24. Silen, or a Faun, Painted for the Torre De La Parada

      by Peter Paul Rubens  91.4 x 121.9 cm