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Product Indexs
London, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920
by Charles Rennie Mackintosh 30.5 x 40.6 cmDesign for Chairs Shown in Front and Side Elevation, 1903, for the Room de Luxe
by Charles Rennie Mackintosh 61.0 x 81.3 cmMont Louis, Flower Study, 1925
by Charles Rennie Mackintosh 30.5 x 40.6 cmThree Stylised Rose Motifs in Green and Cream, circa 1900
by Charles Rennie Mackintosh 40.6 x 30.5 cmDesign for Curtains for the Hall Windows, 1916-17 for W. J. Bassett-Lowke
by Charles Rennie Mackintosh 81.3 x 61.0 cmOrvieto Cathedral, a Sheet of Studies of Mosaic Bands, 1891
by Charles Rennie Mackintosh 81.3 x 61.0 cmRome, Arch of Titus, 1891
by Charles Rennie Mackintosh 61.0 x 81.3 cmView of a Studio, Built 1897-99
by Charles Rennie Mackintosh 30.5 x 40.6 cmDesign for Chairs Shown in Front and Side Elevation, 1903, for the Room de Luxe
by Charles Rennie Mackintosh 30.5 x 40.6 cmFloral and Chequered Fabric Design, circa 1916
by Charles Rennie Mackintosh 40.6 x 30.5 cmPreviously Unrecorded Architectural Drawings for a Shop and Arcaded Street, circa 1915
by Charles Rennie Mackintosh 40.6 x 30.5 cmDesigns for an Upholstered Chair and a Spindle Chair Shown in Elevation and Plans, 1909
by Charles Rennie Mackintosh 81.3 x 61.0 cm1916 for W.J Bassett-Lowke Esq
by Charles Rennie Mackintosh 40.6 x 30.5 cmLondon, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920
by Charles Rennie Mackintosh 61.0 x 81.3 cmDesign for Armchair in Oak, Shown in Front and Side Elevation, 1905
by Charles Rennie Mackintosh 30.5 x 40.6 cmOrvieto Cathedral, a Sheet of Studies of Mosaic Bands, 1891
by Charles Rennie Mackintosh 40.6 x 30.5 cmThree Stylised Rose Motifs in Green and Cream, circa 1900
by Charles Rennie Mackintosh 81.3 x 61.0 cm1916 for W.J Bassett-Lowke Esq
by Charles Rennie Mackintosh 81.3 x 61.0 cm
