名画欣赏解读：  

　Rome [ rəum ] 
　 n. 罗马(意大利首都)
　1. He first met his wife in Rome.
   他最初是在罗马碰到他的妻子的。
　2. All roads lead to Rome.
   条条大道通罗马。

　Arch [ ] 
　 n. 拱门,弓形
　 v. 成弓形弯曲,成弓形
　1. The cat arched its back in anger.
   那只猫气得拱起了腰。
　2. The bridge has three arches.
   这座桥有三座拱洞。

1. 在阿喀巴的神庙里，最高的神物就是一对硕大的乳房，它由青铜铸造而成，发出黑和绿绣的混合光泽，越过六千年的岁月，向我们讲述着关于世界动力的秘密真谛。
2. 马蒂斯说：“对我而言，野兽时期是绘画工具的试验，我必须出一种富于表现力而意味深长的方式，将蓝﹑红﹑绿并列融汇。”　所以有人认为野兽派不是一个艺术运动，只是马蒂斯等人艺术生涯中短暂的一个阶段，一个特别注意线和色彩表现力、不受任何程序束縳的阶段。
3. 《石涛画语录》说：“一画之法，乃自我立。立一画之法者，盖以无法生有法，以有法贯众法。”

1. 室内陈设以白色为主调，画框颜色不宜太深重；反过来，室内陈设色彩浓烈，这不宜选择全白的画框
2. 五金件的安装时间不能安排过早，否则，油漆工人在进行施工时需要过多地考虑对五金件的保护问题
3. 室内绿化与室外显然不同。室内只能放置花草，且所占空间不能太大。合理地配置花木，会给室内增光添辉。有人把室内绿化誉为“无声音乐”，可使人心旷神怡。

1. Rome, Arch of Titus, 1891

     by Charles Rennie Mackintosh  30.5 x 40.6 cm

2. Rome

     by Vanvitelli (Gaspar van Wittel)  121.9 x 91.4 cm

3. Rome

     by Hulton Archive  30.5 x 30.5 cm

4. Rome, Arch of Titus, 1891

     by Charles Rennie Mackintosh  76.2 x 101.6 cm

5. Romeo and Juliet: the Tomb Scene, "Noise Again! Then I"Ll be Brief," Exh. 1790

     by Joseph Wright of Derby  61.0 x 45.7 cm

6. Romeo

     by Anonymous  61.0 x 91.4 cm

7. Romeo and Juliet

     by Sir Frank Dicksee  61.0 x 81.3 cm

8. Romeo and Juliet, Act III Scene I, The Death of Mercutio Romeo's Friend

     by Edwin Austin Abbey  76.2 x 101.6 cm

9. Rome, Arch of Titus, 1891

     by Charles Rennie Mackintosh  106.7 x 142.2 cm

10. Rome, Italy

      by Bulla  91.4 x 66.0 cm

11. Romeo and Juliet, Act III Scene I, The Death of Mercutio Romeo's Friend

      by Edwin Austin Abbey  61.0 x 81.3 cm

12. Rome, Italy

      by Angelo Cavalli  45.7 x 61.0 cm

13. Rome II

      by Willem Haenraets  25.4 x 25.4 cm

14. Rome Sunset

      by David Roberts  101.6 x 53.3 cm

15. Rome, Arch of Titus, 1891

      by Charles Rennie Mackintosh  61.0 x 81.3 cm

16. Romero

      by Anonymous  68.6 x 101.6 cm

17. Rome III

      by Willem Haenraets  50.8 x 61.0 cm

18. Rome Antique

      by Genepin  81.3 x 61.0 cm

19. Romeo and Juliet, Act III Scene I, The Death of Mercutio Romeo's Friend

      by Edwin Austin Abbey  45.7 x 61.0 cm

20. View of a Studio, Built 1897-99

      by Charles Rennie Mackintosh  106.7 x 142.2 cm

21. Mont Louis, Flower Study, 1925

      by Charles Rennie Mackintosh  30.5 x 40.6 cm

22. Detail from a Highly Important Ebonized Mahogany Writing Cabinet, 1904

      by Charles Rennie Mackintosh  101.6 x 76.2 cm

23. View of a Studio, Built 1897-99

      by Charles Rennie Mackintosh  76.2 x 101.6 cm

24. Design for Armchair in Oak, Shown in Front and Side Elevation, 1905

      by Charles Rennie Mackintosh  76.2 x 101.6 cm

25. Design for Armchair in Oak, Shown in Front and Side Elevation, 1905

      by Charles Rennie Mackintosh  61.0 x 81.3 cm